Here’s a look at the books I’ve completed reading since April.
- Darkness at Noon by Arthur Koestler
- How to be Decadent by George Mikes
- Murder in the Cathedral by T. S. Eliot
- One Day in the Life of Ivan Denisovich by Aleksandr Solzhenitsyn
- A Grief Observed by C. S. Lewis
- The Road by Cormac McCarthy
- Four Quartets by T. S. Eliot
- 20,000 Leagues Under the Sea by Jules Verne
- Why Men Love Bitches: From Doormat to Dreamgirl—A Woman’s Guide to Holding Her Own in a Relationship by Sherry Argov
- Notes from Underground by Fyodor Dostoevsky, Richard Pevear , Larissa Volokhonsky
- St. Petersburg Tales (The Portrait, The Carriage) by Nikolai Gogol, Richard Pevear , Larissa Volokhonsky
- The Gambler by Fyodor Dostoevsky, Richard Pevear , Larissa Volokhonsky
- Gone Girl by Gillian Flynn
- The Miracle Worker by William Gibson (I read a PDF version)
- Full Moon (Blandings Castle #7) by P.G. Wodehouse (audiobook)
- Pigs Have Wings (Blandings Castle #8) by P.G. Wodehouse (audiobook)
If you’re like me, you may have immediately noted a rather jarring title in this list of books and thought that it seemed incongruous and a bit of an eye sore. 😦
A few months ago, I was telling a good friend about this very title and my struggles with the idea of including it on my “2017 Goodreads Reading Challenge” list of completed books. It was such a jarring and off-putting title and I didn’t want my friends to think that was the sort of book I’m interested in reading, because it really isn’t and it isn’t a book I would have chosen to read for myself. At the same time, I wanted to be transparent and unashamed about the books I read.
The truth is, during my trip to L.A., in May, I met up for brunch with a friend I hadn’t seen or been in contact with in years. Before we met up, I’d suggested that, after brunch, she could drop me off at at a nearby Barnes and Nobel, and I’d be happy to wait there for my ride. After brunch, she suggested we go to the bookstore together. It sounded like a great idea, but, at the same time, it also meant the books I was interested would have to wait, as our tastes in books are very different; instead, I’d be spending my time hanging out with her.
When we got to the bookstore, I asked her to show me the books she was interested in and off we went to the self-help, marriage and relationships section. Once we were there, she looked around for a minute, then said, “Ah!” (or something like it) and pulled a book titled Why Men Love Bitches from off the shelf. I don’t think I’ve ever had quite as quick of a knee-jerk reaction to the title of a book before. 🙂 I cringed and said that the title seemed exactly like a book I would definitely not be interested in. 😦 She immediately explained that the author’s definition of “bitch” is a strong, confident woman who knows what she’s worth and stands up for herself.
My friend wanted to sit down and read the introduction with me right in the bookstore, so we did. 🙂 We read and discussed and I still wasn’t very keen on it or interested, but eventually came round to saying that the book seemed sensible enough, if you could get past the title. She, however, was so passionate about it and interested in reading it (and yet she said she never buys books for herself). I really wanted to get her a copy, but I knew that the only way I could get her to accept it as a gift, from me, was if I also bought one for myself and made it a “reading project” of sorts. So that’s exactly what I did.
I still remember cringing as I went to the cash register with not one but two (!!) copies of Why Men Love Bitches in my hand. It was the first time I’ve ever been embarrassed about buying a book. It was such a weird and foreign feeling. I even deliberately chose the woman cashier over the man to avoid further mortification. 😦 Anyway, that’s how I came to be the conflicted owner of a book titled Why Men Love Bitches. 🙂
At the time, I also thought it could be a good way to keep in touch with my friend, i.e., we could read the book and discuss our thoughts. That last idea didn’t exactly turn out, as she’s not much of a committed reader. But I finished the book, immediately after my return home, and thus ensued the struggle about adding it to my” Goodreads 2017 Reading Challenge” list, which I resolved, by just owning my decision and adding it to my list. Struggle resolved, I forgot all about it. Or so I thought…
Fast-forward to to the other day, when I uploaded the above picture on to my computer. I hadn’t noticed it when I’d taken the picture, but looking at the picture in Lightroom, all I could see was the jarring and garish title of Why Men Love Bitches sticking out like a sore thumb; every other title faded into the background. (Tom, see what I mean!? :() Immediately, the struggle returned stronger than ever. I can’t quite explain just exactly how jarring the effect was on me, but, suffice it to say, it was significant and the desire to retake the photo, sans the source of my mortification, was extremely strong and tempting. However, in the name of authenticity I resisted and decided, instead, that I would post the picture and tell my story. 🙂
And since I’ve said so much about the the title, I should probably dedicate a few sentences to what the book is actually like. It isn’t all as bad as it sounds. There are some good parts, pretty basic, nothing too revelatory. There are also plenty of bad parts which are, well, bad, cringe-worthy and dumb. For example, there’s a chapter called “Dumb Like a Fox”, that is exactly as dumb as it sounds. As something all “bitches” should strive to emulate, Sherry Argov gives an example of a woman who turns off the breaker in her basement and acts like a damsel-in-distress so that her man can feel manly by fixing it (!). 😦 I would hope that any man I was with would be secure enough in my opinion of his manliness for me not to have to resort to going around and making up problems for him to fix–life has enough problems as it is. As you can tell, I think it’s a pretty stupid and a completely inauthentic way to have a relationship. I felt like I lost several brain cells reading that chapter. 😦 Overall, it’s not really a book I would recommend to anyone.
Anyway, enough about bad books. 🙂
Getting back to the book list, sixteen books here, plus the ten books I’d completed in April makes for twenty-six books this year. Four more books to go and I’ve completed my goal of thirty books for the year. 🙂
These are the four books I’m hoping to have completed by the end of the year.
Fear and Trembling by Soren Kierkegaard
Four Quartets by T. S. Eliot
Dove Descending: a Journey into T. S. Eliot’s Four Quartets by Thomas Howard
The Divine Comedy by Dante Aligheri
If I’m successful, it will mean, that I will have read T. S. Eliot’s Four Quartets twice in one year. Though, by the time I’m finished Thomas Howard’s Dove Descending: a Journey into T. S. Eliot’s Four Quartets, I’ll likely have read it far more than twice this year, as I’ve been going over each section of each poem several times as I read Thomas Howard’s commentary.
Looking at the books I said I was hoping to read, in my last post, some I haven’t touched, but I actually managed to get around to finishing quite a few.
I’m also going to try to finish the last few chapters of Notes from Underground (A Norton Critical Edition) by Fyodor Dostoevsky, Michael R. Katz (Translator/Editor) before the year is out. I will likely also read some of the T. S. Eliot essays and commentary.
But N. T. Wright’s The Resurrection of the Son of God, Martin Buber’s I and Thou and Gerard Manley Hopkins’ Poetry will be sitting out the rest of 2017. Maybe I’ll have another go at them next year. 🙂
I’d been wanting to make my next “Reading Kierkegaard’s Fear and Trembling” post a post about the connection between a story in the Grimm’s Fairy Tales and Kierkegaard’s pseudonym, Johannes de Silentio, in Fear and Trembling, but it’s been a stressful and busy month and I haven’t yet been able to afford the time. So instead, I thought I’d blog about this quote that made me laugh out loud:
“The slaves of misery, the frogs in life’s swamp naturally exclaim: ‘Such love is foolishness: the rich brewer’s widow is just as good and sound a match.’ Let them croak away undisturbed in the swamp. “
–Kierkegaard, Fear and Trembling
It’s been a very pleasant surprise discovering Kierkegaard’s sense of humour, especially, his way of addressing and countering those he’s opposing. The above quote is a perfect example. It reminds me a lot of the way Dostoevsky has the Underground Man address and dismiss his naysayers in Notes From Underground. The Underground Man is, of course, far more acerbic and arrogant; Johanne de Silentio is definitely more humble and benign. Nonetheless, I can’t help but see similarities between them when it comes to addressing the opposition. 🙂
Something else I’ve been surprised to discover (though it may be too early for me to really judge properly, as I am still only a bit over halfway through) is how Fear and Trembling seems to be just as much about Kierkegaard’s regret regarding his lack of faith for, and the resulting loss of, his relationship with Regine as it is about the faith of Abraham in being willing to sacrifice Isaac. Going into it, I knew there was going to be a knight of faith and a knight of infinite resignation (hopefully, more on them another time), but I had no idea they were both hopeless romantics.
Footnote “50” (in the above, second to last, paragraph) says:
“Kierkegaard writes in his journals (Papirer IV, A 107): ‘If I had had faith I would have stayed with Regine’ The entry is dated 17 May 1843.”
–Alastair Hannay, Fear and Trembling
“For of all sad words of tongue or pen,
The saddest are these: ‘It might have been!'”
–John Greenleaf Whittier “Maud Muller“
Sad stuff. 😦 But it’s definitely not all heartbreak and “What if?” There’s been plenty about faith and sacrifice (though mostly faith) that I’ve been reevaluating and pondering, and an equal amount of stuff I’ve been perplexed with, and a whole lot of other unexpected stuff that Kierkegaard’s surprised me with. I’m looking forward to what’s to come. 🙂
This is another one of those books that I feel like I’m just scratching the surface of in my understanding of it. It’s definitely a book I’m going to have to keep coming back to in order to really understand. Luckily, Kierkegaard is a brilliant writer and thinker; he’s one of those minds you can visit over and over again and never tire of.
I was reading T. S. Eliot’s Four Quartets today when this section from “East Coker” hit me right in the heart like a jolt from a defibrillator.
On it’s own, it’s an amazing and brilliant passage. But, in addition to that, it pretty much sums up everything I’m going through and everything I need to hear right now.
“I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing facade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.
You say I am repeating
Something I have said before. I shall say it again,
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
You must go by a way which is the way of ignorance.
In order to possess what you do not possess
You must go by the way of dispossession.
In order to arrive at what you are not
You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.”
—T. S. Eliot, Four Quartets: “East Coker”
I can remember thinking, when I read it the first time, that this was a brilliant and deep passage, but it didn’t quite jump out at me. I guess I didn’t need it as much then. This time, reading it was like being resuscitated. Everything about it is perfect for me, at this very moment. It’s as if it were written just for me.
I’ve been learning to be still and sit with the discomfort, but it isn’t easy and I still needed someone to “say it again.” Who better to have say it than the supreme T. S. Eliot? 🙂
Here’s a look at what I’ve read, so far, in 2017.
- The Problem of Pain by C.S. Lewis
- A Wrinkle in Time by Madeleine L’Engle
- A Wind in the Door by Madeleine L’Engle
- Man’s Search for Meaning by Viktor E. Frankl
- Daring Greatly by Brene Brown
- Till We Have Faces by C.S. Lewis
- The Double by Fyodor Dostoevsky, Richard Pevear
, Larissa Volokhonsky
- Nevsky Prospect, The Diary of a Madman, The Nose, The Overcoat by Nikolai Gogol (four out of six of the St. Petersburg Tales), Richard Pevear , Larissa Volokhonsky
- Oddkins by Dean R. Koontz
- The Martian by Andy Weir (Not pictured because I borrowed it from a friend)
- Rise of Endymion (Hyperion Cantos #4) by Dan Simmons (Not pictured; I listened to the audiobook)
I’m having a bit of a dilemma regarding Nikolai Gogol’s works; I’m not exactly sure how to count or list them, as his tales are collected/listed differently depending on the publisher. I think I’ll just wait until I’ve finished reading the other two St. Petersburg Tales and then count all of them as one book. In that case, so far, I’ve finished reading ten books this year (1/3 of the way through my reading goal for the year, yay! 🙂 ). All of them were great reads, though I’ve only managed to blog about one. Hopefully, I’ll eventually get around to blogging about a few more of them.
These are the books I’m currently reading.
How to be Decadent by George Mikes
I and Thou by Martin Buber, Ronald Gregor Smith (Translator)
Notes from Underground by Fyodor Dostoevsky, Richard Pevear , Larissa Volokhonsky Notes from Underground (A Norton Critical Edition / 1st Edition) by Fyodor Dostoevsky, Michael R. Katz (Translator/Editor)
The Gambler by Fyodor Dostoevsky, Richard Pevear St. Petersburg Tales (The Portrait, The Carriage) by Nikolai Gogol , Larissa Volokhonsky , Richard Pevear , Larissa Volokhonsky
The Resurrection of the Son of God by N. T. Wright
For the last few weeks, I’ve been focusing on Dostoevsky’s Notes from Underground. I’ll be meeting up with a friend this Sunday to discuss it, so I’ve been using that as impetus to really dig in and finish all the critical essays and background information included in my Norton Critical Edition. In addition to that, I’ve also been re-reading Notes from Underground for the second and third time simultaneously. (As you can see I’m somewhat obsessed. 🙂 ) I’m actually not exactly sure how you would count it, as I’m reading two different translations simultaneously (i.e. I finish a chapter in the Pevear/Volokhonsky translation, and then I read Michael R. Katz’s translation of the same chapter). I don’t think I could manage to pull off this kind of simultaneous reading with any other book, but Notes from Underground is short enough and such brilliant piece of work, I’m finding it’s actually a really interesting way to read it. 🙂
I’ve been slowly making my way through George Mikes’ How to be Decadent and Martin Buber’s I and Thou for about a year now. I actually started reading Buber’s I and Thou last May, but it was a tough read and hard to follow. I only got about 20 pages in before I put it down. I figured maybe it was problem with Ronald Smith’s translation and decided to wait till I could get my hands on a Walter Kaufmann translation instead. But, recently, I came across a few paragraphs from I and Thou that I really liked that turned out to be a section from the Ronald Smith translation just a few pages down from where I left off. So I figured maybe I’d just stopped before the good stuff, and decided to have another go at it. I’ll still likely still buy the Kaufmann translation, eventually, but I’m gonna give Ronald Smith another go and we’ll see how that turns out.
N. T. Wright’s The Resurrection of the Son of God is a tome I’ve been meaning to read for nearly a decade now. I finally bought a copy as a sort of Christmas present to myself last year and figured I’d make it my Lent reading project this year. Unfortunately, that plan got hijacked, by my Notes from Underground reading project. Still, I’ve been slowly chugging along at it. I’m only 50 pages in, so there’s no way I’m gonna finish it by Easter, but I’m determined to slowly make my way through it this year.
I haven’t started reading Dostoevsky’s The Gambler or the last two of Gogol’s Petersburg Tales, but they’re up next, after I’m finished with Notes from Underground.
Aside from those books, in celebration of National Poetry Month, I’m hoping to dig into some of the poetry of my two favourite poets T. S. Eliot and Gerard Manley Hopkins.
I especially want to focus on T. S. Eliot’s Four Quartets, and possibly “Ash Wedsnesday”. But definitely Four Quartets, which I think is the best of T. S. Eliot’s best. I’ve been wanting to really dig into to it ever since I read it for the first time in November, 2015.
It’s such a deep and profound and beautiful and perfect collection of poetry, I think I could explore and meditate on it for a lifetime and still have more to discover and explore. I feel like it will take me years to even begin to scratch the surface of it’s depth, but I’m looking forward to making some progress towards that this next month. 🙂
Seek God’s house in happy throng;
Crowded let His table be;
–Gerard Manley Hopkins
I never thought I’d come across a poet I liked as much as T. S. Eliot, but I have. His name is Gerard Manley Hopkins and the more I read him, the more I’m struck by his brilliance. I’ve been meaning to blog about him for two years now, so I suppose this Easter is a good place to start.
This isn’t, by far, my favorite Hopkins poem, but it’s probably my favorite Easter poem. I think it perfectly sums up the joy, hope, happiness and celebration of Easter. Hopkins is especially good at evoking emotions, be they jubilant or despondent. In this case, you can feel the jubilation in every stanza and the imagery is splendid.
Break the box and shed the nard;
Stop not now to count the cost;
Hither bring pearl, opal, sard;
Reck not what the poor have lost;
Upon Christ throw all away:
Know ye, this is Easter Day.
Build His church and deck His shrine,
Empty though it be on earth;
Ye have kept your choicest wine—
Let it flow for heavenly mirth;
Pluck the harp and breathe the horn:
Know ye not ’tis Easter morn?
Gather gladness from the skies;
Take a lesson from the ground;
Flowers do ope their heavenward eyes
And a Spring-time joy have found;
Earth throws Winter’s robes away,
Decks herself for Easter Day.
Beauty now for ashes wear,
Perfumes for the garb of woe,
Chaplets for dishevelled hair,
Dances for sad footsteps slow;
Open wide your hearts that they
Let in joy this Easter Day.
Seek God’s house in happy throng;
Crowded let His table be;
Mingle praises, prayer, and song,
Singing to the Trinity.
Henceforth let your souls always
Make each morn an Easter Day.
–Gerard Manley Hopkins
Happy Easter! 🙂